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dom 19 set


150 - UBERMORGEN | Constant Dullaart -- Opening

The exhibition presents two contemporary netart positions that address socio-cybernetic issues by artistically investigating informational processes in both social and technological space. This is the final exhibtion of the project Calculating Control: (Netz)kunst und Kybernetik - by Zentrum für Ne

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150 - UBERMORGEN | Constant Dullaart -- Opening
150 - UBERMORGEN | Constant Dullaart -- Opening

Time & Location

19 set 2021, 15:00 – 20:00 CEST, Hof V, Gerichtstraße 23, 13347 Berlin, Germany

About the event

UBERMORGEN is an artist duo founded in 1995. Autistic actionist lizvlx and pragmatic visionary Hans Bernhard are pioneers and media hackers widely recognized for their high-risk research into data & matter, conceptual art, haute couture websites and polarising social experiments. CNN called them 'Maverick Austrian Business People' during their Vote-Auction online project. They reached a global audience of 500 million while challenging the FBI, CIA, and NSA during the US presidential election. In 2005, they launched their acclaimed EKMRZ Trilogy, a series of conceptual hacks – Google Will Eat Itself, Amazon Noir, and The Sound of eBay. UBERMORGEN controls 175 domains. Their exhibitions include Liverpool Biennial; Whitney Museum (2020); New Museum, New York; Somerset House, London; Haifa Museum of Art, Israel/Palestine (2019); Wei-Ling Contemporary Malaysia; HKW, Berlin; ZKM; National Art Gallery, Sofia (2017); ICA Miami; Mahatma Gandhi Institute, Mauritius (2015); Serpentine Galleries, London (2014); Kunsthal Aarhus; Ars Electronica, Austria; MoMA Ljubljana; ArtScience Museum, Singapore (2013); 3331 Arts Chiyoda, Japan (2012); Centre Pompidou; Gwangju Design Biennale; WRO Media Art Biennale (2011); Prague Biennale (2009); Biennale of Sydney (2008); MOCA Taipei (2007); The Premises, Johannesburg; ICC Tokyo (2005); SFMOMA, USA (2001).

Constant Dullaart born 1979, leiderdorp, netherlands, lives and works in berlin and amsterdam. his practice reflects on the broad cultural and social effects of communication and image processing technologies, from performatively distributing artificial social capital on social media to complete a staff-pick kickstarter campaign for a hardware start-up called dulltech™. his work includes websites, performances, routers, installations, startups, armies, and manipulated found images, frequently juxtaposing or consolidating technically dichotomized presentation realms.

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